in the notebook

the archive of unfinished things

i have been creating collections of black and white images. in the coming days and weeks, you will see a lot of them alongside scattered pieces of writing that may not have any meaning, or be focused on anyone in particular. some of them lack an obvious ending. some end abruptly.

but you will read through them and come to recognize that this is simply who i am: leaving you stranded in a strange setting because i do not know how to deal with the monsters that dwell within me.

in the autopsy

how to ruin a daughter

anyone who's ever known me when i'm in love knows how completely fucked up i can be. i have a habit of wanting love more than anything in the world and then having absolutely no idea what to do with it when it's mine.

in the machine

the code that helped land Apollo 11

i'm sharing the original Apollo 11 source code, written for NASA's historic 1969 mission that landed the first humans on the moon. developed by teams at MIT, including one led by Margaret Hamilton, this software helped guide the spacecraft and kept critical operations running even when

in the machine

on AI, art, and human hands

i had a boss named Dave. Dave loved AI. Dave also had opinions about how i was using AI. a lot of opinions. wrong model. no tools. no retrieval. no memory. no agent. no second agent supervising the first agent. Dave, i am trying to rename a file. i got

in the notebook

the every version of me

i don't think people realize how quickly i have changed over the years, mostly because from the outside it probably looked like reinvention. from where i stood, it often felt more like burial. there was the million-dollar baby Bailey whose ambitious lit up the building. she learned